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Digigram IQOYA SERV/LINK Dante 1U Multi-Stereo/Channel Full Duplex IP Audio Codec - AES/EBU/AES67/MADI/Dante/Analog
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    Digigram IQOYA SERV/LINK Dante 1U Multi-Stereo/Channel Full Duplex IP Audio Codec - AES/EBU/AES67/MADI/Dante/Analog

    Manufacturer: Digigram



    Our Price:$9,790.00

    free ship
    Direct Ship from manufacturer, contact us for availability
    Item ships directly from the manufacturer and is subject to manufacturer availability. We will contact you with expected availability. You can also email [email protected], chat or call customer service (800)-522-2025 for expedited delivery options.

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      Multi-stereo and Multi-Channel Full Duplex IP Audio Codec
      The Digigram IQOYA *SERV/LINK Dante is a high density 1U rack multi-channel IP audio codec designed for the delivery of audio programs in applications such as multiple STL and SSL links; delivery of multiple WEB radios to CDNs; multiple program delivery to DVB/cable operators; multiple intercom and commentary channels; and IP audio transcoding.

      At a glance
      IQOYA *SERV/LINK Dante handles up to 64 stereo (128 mono) input and output channels in 1U, with the possibility to simultaneous encode and stream the audio inputs at multiple formats and protocols, decode IP audio streams to the outputs, and transcode IP audio streams. It features two hot swappable redundant PSU, two Ethernet ports, and supports different types of audio I/Os (AES/EBUs, or analog, or MADI, or AES67/RAVENNA, or AES67/RAVENNA and MADI). IQOYA *SERV/LINK can be fully controlled and monitored from its embedded WEB pages and through SNMP.

      Developed for: Radio Broadcasting (SSL, STL, WEB radio streaming, DVB audio), TV/Video Broadcasting (multiple intercom and commentary)
      Scalable number of supported audio I/Os through licence upgrade (MADI and AES67 versions)
      Scalable number of streams to be transcoded through licence upgrade
      Available with different types of audio connections: Analog and AES/EBU, or AES/EBU, or MADI, or AES67 / RAVENNA, or AES67 / RAVENNA and MADI, or only IP audio (transcoding)
      Simultaneous delivery of multiple audio programs to transmitter sites, WEB radio CDNs, DVB multiplexers, or studios
      Up to 3 decoding priorities per output (with automatic switching between priorities in case of decoding priority audio source loss). Sources can be IP audio streams, local backup playlists and sound files, audio inputs
      Remote monitoring of the codec in a standard supervisor application based on SNMP or DataMiner

      Maximizes rack space: only 1U for up to 64 stereo channels
      Reduces CAPEX: one single unit simultaneously delivers multiple audio content to transmitter sites, WEB radio CDNs, multiplexers, and other studios, in multiple audio formats
      Easy integration into existing SNMP based supervisors
      Ongoing product support through Digigram support & maintenance contracts

      Note: The number of channels that can be encoded/decoded simultaneously depend on the compression format and the number of encoding instances per audio source. On roadmap (availability about mid 2019).

      • Features

        • High audio channels density in a 1U rack: up to 16 stereo AES/EBU channels, or 8 analog stereo channels, or 64 MADI stereo channels*, or 64 AES67 stereo channels*, or 64 AES67 and MADI stereo channels*
        • Two hot swappable redundant power supply units
        • Two Ethernet RJ-45 ports (separate control and IP audio traffic, or backup network, or redundant dual streaming)
        • Additional RJ-45 ports for AES67
        • Optional RS232 ports and GPIOs for auxiliary data tunnelling
        • Supported formats: PCM, G711, G722, MPEG L2& L3, Opus, Fraunhofer MPEG4-AAC (AAC-LC, AAC-LD, HE-AACv1, HE-AACv2, AAC-ELD), and optional Qualcomm aptX
        • Up to 16 MPX over AES192
        • Streaming protocols: ACIP RTP, UDP, MPEG-TS/IP SPTS or MPTS via RTP or UDP Icecast/Shoutcast, HLS multi-bitrate**
        • Encoding, decoding, and transcoding
        • VLANs, QoS, IGMPv3
        • WEB and SNMP control, monitoring and alarming
      • Specifications

        • Configuration
        • Dimensions: 19", 1RU, 43.9 cm depth B
        • Weight: 7.9 kg
        • Power supply: 2 hot swappable redundant PSU 90-264VAC, Optionally, 2 hot swappable redundant PSU -48VDC
        • Temperature: Operating 0°C 50°C, Storage -20°C TO 70°C
        • Humidity: 85% non-condensing
        • Power consumption: Max 80W

        • Ethernet ports: 2 x 10/100/1000 Mbps RJ-45
        • Analog and AES/EBU versions: XLR connectors on breakout cables
        • MADI versions: Multimode optical fiber
        • AES67/RAVENNA versions: additional Gbits/s RJ-45 ports (2 ports for 64 channels, 4 ports for 128 channels)
        • AES/EBU Sync: Female XLR (analog and AES/EBU)
        • Word Clock Sync: BNC 75 Ohms (all versions)
        • Optional RS232 ports: 8 or 16 Sub-D 9 pins on 1 or 2 breakout cables
        • Optional GPIOs: 16 GPIs TTL compatible on terminal block, 16 relay GPOs on terminal block

          Analog Inputs
        • Type: Balanced
        • A/D converter resolution: 24 bits
        • Maximum input level/ impedance: +24 dBu/ >10 kΩ
        • Adjustable input gain: from -94.5dB - +24 dB

          Analog Outputs
        • Type: Balanced
        • D/A converter resolution: 24 bits
        • Maximum input level/ impedance: +24 dBu/ <100 Ω
        • Adjustable output gain: from -94.5dB - +24 dB

          AES/EBU Inputs
        • Hardware sample rate converters: Sample rate conversion = 7.5:1 to 1:8, up to 192 kHz
        • Programmable input gain: from -15 dB to +15 dB

          AES/EBU Outputs
        • Sample rate: 32 kHz, 44.1 kHz, or 48 kHz

          Synchronization Inputs
        • AES11: Only on analog and AES/EBU versions, and AES/EBU versions.
        • Word Clock: 32, 44.1 kHz 48 kHz

          MADI Inputs/Outputs
        • Sample Rate: 32, 44.1 kHz 48 kHz
        • MADI OUT channel mode: 64/64 channels mode

          Analog Audio Performances
        • Dynamic range (A-weighted): Analog In: >104 dB / Analog Out: >106 dB
        • THD + noise 1 kHz at -1 dBfs: Analog In: <-97 dB / Analog Out: <-96 dB
        • Channel phase difference: 20/20kHz: 0.2° / 2°
        • Crosstalk (Analog in or out) 1 kHz at 22 dBu: <-100 dB - 15 kHz at 22 dBu: <-85 dB
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