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Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
  • Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
  • Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
  • Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
  • Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
  • Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen
 
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Behringer WING 48 Channel - 28-Bus Full Stereo Digital Mixing Console with 24-Fader Control Surface & 10inch Touchscreen

Manufacturer: Behringer

Item #: BEH-WING   •   MFG #: WING

 

List Price:$5,248.50
Our Price:$3,499.00

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Availability: Preorder
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Item is not yet shipping from the manufacturer. We enjoy great relationships with our suppliers/manufacturers and take pride in our quick turnaround. Place your order today to ensure you will be one of the first to receive this item once it begins shipping from the manufacturer.
 
 
     

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    The Personal Mixing Console
    The Behringer WING control surface utilizes a large capacitive touchscreen interface with touch-sensitive rotary controls for a new ease of operation. Three separate fader sections and a Custom Controls section can be tailored easily and intuitively to meet your personal requirements. No matter if you need a specific bus send fader next to the corresponding channel fader, or a dedicated "money" channel always at your fingertip, or even sharing the surface with two engineers - WING can be configured to elevate your production to a new level. You can even replace and customize the massive wooden armrest with something funkier if you like. The technical drawing can be found in the Downloads section of the product page.

    Why Sources?
    What is the purpose of mixing in the first place? While considering the signal path of audio production for live or studio applications, they were stunned to find that much of the terminology is still driven by historical technical implementation, rather than its actual purpose. Normally, consoles focus on input numbers assigned to channels and AUXes. WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes. All of this describes the actual Source first, before channels are used for processing or mixing.

    The beauty of this is that you can label Sources using our WING Co-Pilot app while patching on stage and no matter if the signal is patched to a Ch, to SD recording or to any other output, you will always see and refer to that Source.

    Please note!The WING is fully compatible with all Behringer X32 series mixers and stage boxes.

     
    • Features

      • 8 award-winning Midas PRO mic preamps and 8 Midas PRO outputs onboard
      • 24 motorized 100 mm faders in 3 separate, fully configurable sections
      • "Plug and play" remote I/O connectivity for up to 144 input and output signals over 3 AES50 ports featuring Klark Teknik's SuperMAC technology for ultra-low jitter and latency
      • Large main display with capacitive touch screen and adjustable display swivel
      • Unique touch-sensitive channel editing section with 11 rotary controls and dedicated color TFT for staying on top of all channel properties
       
    • Specifications

      • Processing
      • Input Processing Chs: 40 stereo input Chs, 8 stereo AUX Chs
      • Output Processing Chs: 16 stereo AUX buses, 8 stereo matrices, 4 stereo mains
      • Internal Effects Engines (All True Stereo): 8 premium FX, 8 standard FX
      • Point-to-Point Routing Matrix: 500 x 502 signals
      • Signal Processing: 40-bit floating point, 48kHz
      • A/D Converters (8-Ch, 192kHz-ready, 24-bit): 114dB dynamic range*
      • D/A Converters (stereo, 192kHz-ready, 24-bit): 120dB dyanmic range*
      • I/O Latency (Console Input to Output): 1.0ms
      • Network Latency: 1.2ms

        Connectors
      • MIDAS PRO Series Microphone Preamplifier (XLR): 8
      • XLR Bal Outputs: 8
      • AUX Inputs/Outputs (1/4" TRS bal, mono): 8 in / 6 out + 2 monitor/phones outs
      • Phones Output (1/4" TRS, stereo): 2
      • Digital AES/EBU Input/Output (XLR): 1/1
      • AES50 Ports (KLARK TEKNIK SuperMAC, 100 Mbit/s): 3
      • Expansion Card Interface: 64 x 64Ch audio input/output
      • StageCONNECT Master I/O (12V/18W power supplied, XLR, 32Chs): 1
      • MIDI Inputs/Outputs: 1/1
      • GPIO on TRS, Configurable: 2 x 2
      • USB 2.0 Type B Device (48 x 48 ch 24-bit Audio and MIDI I/O): 1
      • USB 2.0 Type A Host (Audio and Data, 5 VDC, 1 A): 1
      • Ethernet LAN Ports, RJ45, 1 Gbit/s: 2, internally switched
      • Audio Over IP (AoIP) Internal Module Socket (Dante, AES67 or SoundGrid Modules Optional): Up to 64 x 64Chs @48kHz
      • IEC Mains Socket with Power Switch: 1

        Mic Input Characteristics (Mic Input to Analog Output)
      • Design: MIDAS PRO series
      • THD+N (0dB gain, 0dBu output): <0.004%*
      • THD+N (+40dB gain, 0dBu to +20dBu output): <0.006%*
      • Input Impedance (unbal/bal): 1kΩ/2kΩ
      • Non-Clip Max Input Level: +21dBu
      • Phantom Power (Switchable per Input): +48V
      • Equivalent Input Noise @+45dB gain (150 Ω source): -128dBu*
      • CMRR @Unity Gain (Typical): >50dB
      • CMRR @40dB Gain (Typical): >70dB

        Input/Output Characteristics
      • Frequency Response @48kHz Sample Rate, 0 to -1dB (Any Gain Setting): 10Hz - 20kHz
      • Dynamic Range, Analog in to Analog Out (Typical), XLR/AUX: 111 dB*/108dB*
      • A/D Dynamic Range, Preamplifier and Converter (Typical), XLR/AUX: 112dB*/110dB*
      • D/A Dynamic Range, Converter and Output (Typical), XLR/AUX: 118dB*/112dB*
      • Crosstalk Rejection @1kHz, Adjacent Channels: 100dB
      • Output Level, XLR Connectors (Nominal/Max): +4dBu/+21dBu
      • Output Impedance, XLR Connectors (unbal/bal): 75Ω /75Ω
      • Input Impedance, TRS Connectors (unbal/bal): 20kΩ/40kΩ
      • Non-clip Max Input Level, TRS Connectors: +16dBu
      • AUX Output Level, TRS (nominal/Max): +4dBu/+16dBu
      • AUX Output Impedance, TRS (unbal/bal): 150Ω/300Ω
      • Phones Output Impedance/Max Output Level: 500 mW @75Ω/+18dBu
      • Residual Noise Level, XLR out 1-16 Connectors, Unity Gain: -97dBu*; AUX and Monitor TRS out Connectors: -95dBu*

        Displays
      • Main Screen: 10.1" TFT LCD, 1280 x 800px, capacitive touch
      • Main Screen Swivel, Continuous Adjustment: 15°- 60°
      • 4-Ch Group LCD Screen with RGB Color Strip per Channel: 320 x 48 monochrome
      • Ch Editing Screen: 2.4" TFT LCD, 320 x 240px
      • Main Stereo Meter: 18 segment (-60dB to clip)

        Controls
      • 100mm Motor Faders: 12 + 8 + 4
      • Touch-Sensitive Rotary Controls: 3 + 7 + 11 + 4 + 4
      • Custom Controls:
        Fully Assignable Rotary Controls: 4
        Fully Assignable Backlit Buttons: 8 + 8
        Variable Rotary Controls/Buttons: 4/4

        Power
      • Switch-Mode Power Supply: Auto-ranging 100-240VAC (50/60Hz)
      • Power Consumption: 130W

        Physical
      • Operating Temperature Range: 41° - 104°F (5° - 40°C)
      • Dimensions (HxWxD): 7.9 x 34.3 x 22.6" (201 x 870 x 575mm)
      • Weight: 52.8Lbs (24kg)
       
     
     

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