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Item# PRM-R800-7322
The Radial AC-Driver is a studio quality preamp built into a pedal format for acoustic instruments, designed to provide you with incredible sound along with the ability to control your levels and eliminate feedback on stage. Unlike a typical DI, you can connect the output of the AC-Driver directly to a powered speaker and control the level from on stage, making it ideal for solo performances where you may not have the luxury of a sound engineer. Additionally, you can use the notch and 180ø...

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Item# RAD-CHERRYPICKER
The Radial Cherry Picker is a unique tool designed to improve efficiency and workflow in the studio by simplifying the process of matching the best preamp with a microphone for a given track. This is most often done when recording vocals. This improves the sonic character of the track and provides the vocalist with a more comfortable sound, which in turn allows for a better performance.
Four front panel 'radio style' selector switches select the active preamp while automatically disconnecting...

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Item# RAD-EXTC-SA
The EXTC-SA from Radial is a stand-alone audio interface that lets you incorporate guitar effects into the realm of pro-audio recording. Just imagine, add a touch of grit to a vocal track, some wah on a kick drum, maybe flange a violin the EXTC is a creative tool made for your esoteric-inventive side, ready to unleash fresh new sounds that will make your recordings stand out from the crowd. And it's super easy to use: connect a line level signal from the recording system. The EXTC-SA...

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Item# RAD-GOLDDIGGER
The Gold Digger is a 4-channel mic selector that enables the engineer to quickly compare the sound of four different microphones while sharing the same preamp. A 'straight wire' passive circuit design is void of any audio buffers or transformers. Instead, the Gold Digger employs military grade gold contact relays to manage the switching process, thus ensuring the pristine mic signal is maintained without introducing color, distortion or artefact of any kind.
Features include four rear-mounted...

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Item# RAD-HOTSHOT
The HotShot ABo is a balanced output selector switch that lets you take an audio source and redirect it to two destinations by depressing a latching footswitch. It features separate -15dB pads on each output to better balance the signal levels. And since it is completely passive, powering is not required to make it work.
This makes the HotShot ABo ideal for a variety of applications including driving two channels on a mixing console for dry and wet effects routing, to divert a mic from the PA...

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Item# RAD-HOTSHOT-48
The Radial HotShot 48 is a condenser microphone switcher built for silent operation on stage, allowing an artist to power their vocal mic and reroute it to feed the stage monitoring system for communicating with other band members or technicians at the press of a footswitch. LED indicators display the active output, and the footswitch itself can be configured for latching or momentary action. While the HotShot 48V is specifically designed to address issues when switching condenser microphone...

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Item# RAD-HSABI
The HotShot ABi is a balanced signal selector that allows you to instantly select between two sources by depressing a latching footswitch. It features separate -15dB input pad selectors on each input to better balance the signal levels. And since it is completely passive, power is not required to make it work.
This makes the HotShot ABi ideal for applications such as switching between two dynamic microphones on a stage to save valuable input channels on your mixer. The latching switch also opens...

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Item# RAD-HSDM1
Designed to address on-stage communication problems for artists who employ in-ear monitoring systems, the HotShot DM1 is a combination microphone signal splitter and mute switch that allows you to depress a footswitch to mute your mic and redirect the signal to the stage monitoring system or intercom to speak with band members or technicians while on stage.
Using the DM1 is easily done using any dynamic microphone: connect the mic to the input and the main output to the mixer. Add a second cable...

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Item# RAD-J4
The Radial J+4 is a stereo interface designed to accept unbalanced low output level devices such as instruments, computers or CD players and boost the signal to a balanced +4dB level for easy manipulation in professional environments such as broadcast, recording studios and live touring.
The design begins with 100% discrete components for optimal signal transfer. Careful attention has been paid to eliminate noise by combining the advantages of active signal buffering with transformer isolation....

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Item# RAD-JR1-M
The Radial JR-1™ is a single action footswitch designed to remotely control a function such as selecting A or B outputs. As a passive device, it does not require any power to make it work. Instead, it employs a simple mechanical switch that shorts the positive with the ground using either 1/4" or XLR connections. The JR1 is available in a 'L' latching version that requires pushing on and pushing off the footswitch to sort and release the contact, or a `M' momentary version that shorts...

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Item# RAD-MC3
The Radial MC3 monitor controller is a studio tool that enables the engineer to quickly select between reference monitors, sub woofer or headphones and compare how the mix translates via various playback systems. Unique to the MC3 is the ability to quickly sum mono for AM radio compatibility.
And while most monitor switchers are active the MC3 is 100% passive. This means that unlike active switchers that introduce a buffered electronic circuit in between your recording system and monitors, the...

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Item# RAD-STUDIO-Q
With more and more recording happening in smaller studios, the need for a simple talk-back system has become evident. Yes, there are other cue systems on the market, but most either have too many features, are too costly, or are too large. The Studio-Q presents a desk-top solution that manages to do it all in a super compact design.
The Studio-Q begins with a simple cue switch that turns on the built-in microphone or the `producer' mic XLR input. Each mic is equipped with an individual trim...

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Item# RAD-SW4
The Radial SW4 is a four channel balanced audio switcher designed for wireless systems, mixing consoles and digital guitar processors to provide backup or greater operational flexibility in a live performance or concert setting.
Each of the four channels is equipped with two XLR inputs and a transformer isolated output that is capable of over +20dB signal handling at all frequencies. This makes the SW4 equally viable for wireless mic systems as it is for switching high output mixing consoles....

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Item# RAD-SW8
The Radial SW8 Switcher is an 8-channel redundant backup switching interface designed for live concert touring and stage shows that employ backing tracks as part of the sound production.
According to company president Peter Janis:
"Today, it is common for bands to support their live performance with backing tracks as a means to provide the audience with the type of production that they expect when they hear a record. For instance, when Queen performed Bohemian Rhapsody backing tracks were used...

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Item# RAD-SW8-USB
The Radial SW8-USB is an eight channel switching device designed primarily for live concerts where backing tracks are used to reinforce the performance. Should your primary playback source suffer a failure or dropout, the SW8-USB can switch to a backup source to prevent any negative effects on the performance. This switching can be done automatically by the SW8-USB, or it can be performed manually using a switch on the front panel or by remote control.
Typical playback systems require...
