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AJA Ki Pro Ultra Plus Multi-Channel HD Recorder 4K/UltraHD/2K/HD Recorder and Player
  • AJA Ki Pro Ultra Plus Multi-Channel HD Recorder 4K/UltraHD/2K/HD Recorder and Player
  • AJA Ki Pro Ultra Plus Multi-Channel HD Recorder 4K/UltraHD/2K/HD Recorder and Player
  • AJA Ki Pro Ultra Plus Multi-Channel HD Recorder 4K/UltraHD/2K/HD Recorder and Player
 
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AJA Ki Pro Ultra Plus Multi-Channel HD Recorder 4K/UltraHD/2K/HD Recorder and Player

Manufacturer: AJA Video

Item #: AJA-KIPROULTRAPL   •   MFG #: KI PRO ULTRA PLUS

 


Our Price:$3,995.00

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Availability: In Stock
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Item is Available for immediate shipping from our warehouse.
 
 
     

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    Required Accessories

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    Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHD MXF recorder and player supporting the latest connectivity including 3G-SDI, Fiber and HDMI 2.0, as well as large raster high frame rate workflows, including 4K 60p.

    Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra Plus suits a wide range of production and post environments.

    Multi-Channel HD Recording
    Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra Plus.

    Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra Plus and save power, space, time and effort on set,
    in the studio and when setting up OB trucks.

    Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode; select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.

    Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak1000 media. Ki Pro Ultra Plus even allows rollover to a second Pak1000 for hours of uninterrupted multi-channel recording.

    Ki Protect
    Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.

    While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace-of-mind on set and in the studo, essential for multi-channel recording.

    4K and HD Monitoring
    Ki Pro Ultra Plus provides full resolution outputs for 4K, UltraHD and HD over 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display.

     
    • Features

      • 4K, 12-bit Full Raster Workflows for Professionals
      • ProRes 422 and 444 Recording
      • Avid DNxHD MXF Recording
      • exFAT and HFS+ Support
      • 2SI (Two Sample Interleave)
      • 16-Channel Audio Support
      • Closed Caption Support
      • Reliable Storage Media
      • Pak-Adapt-eSATA
      • High Quality LCD with Onscreen Intuitive UI
       
    • Specifications

      • Video Input Digital
      • 4x - 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
      • 4x - Fiber LC*, 3G-SDI, SMPTE-297, 10-bit
      • 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
      • Dual Link 4:2:2, 4:4:4 (2 x BNC or Fiber LC*)
      • Single Link 4:2:2, 4:4:4 (1 x BNC or Fiber LC*)
      • 1x - HDMI standard type A connector
      • HDMI v2.0-
      • 4:2:2 YCbCr 8/10/12bit
      • 4:4:4 RGB/YCbCr 8bit
      • 4:2:0 YCbCr 8/10/12bit (deep color)
      • 4:4:4 RGB 10/12bit (deep color)

        Video Output Digital
      • 4x - 3G-SDI, SMPTE-292/296/424, 10-bit
      • 4x - Fiber LC* 3G-SDI, SMPTE-297, 10-bit
      • 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*)
      • Dual Link 4:2:2 or 4:4:4 (2 x BNC or Fiber LC*)
      • Single Link 4:2:2 or 4:4:4 (1 x BNC or Fiber LC*)
      • 1x - HDMI standard type A connector
      • HDMI v2.0-
      • 4:2:2 YCbCr 8/10/12bit
      • 4:4:4 RGB/YCbCr 8bit
      • 4:2:0 YCbCr 8/10/12bit (deep color)
      • 4:4:4 RGB 10/12bit (deep color)

        Audio Input Digital
      • 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
      • 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
      • 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)

        Audio Input Analog
      • 8-Channel, 24-bit A/D analog audio, 48 kHz sample rate (1 x DB-25 TASCAM Pinout)
      • +24dBu full scale digital
      • +/- 0.2dB 20 Hz to 20 kHz frequency response

        Audio Output Digital
      • 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
      • 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
      • 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout)

        Audio Output Analog
      • Stereo unbalanced headphone jack (1 x 3.5mm jack) with volume control
      • 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1 x DB-25 TASCAM pinout)
      • 2-Channel unbalanced 2 x RCA connectors

        General
      • Size (WxDxH): 8.64" x 9.34" x 3.31"
      • Weight: 5.6 lbs
      • Power: Dual, redundant, 5.4A max, 35W-60W typical-65W Max / 100-240 VAC 50/60 Hz (adapter) / 12-18Vdc 4-pin XLR (chassis)
      • Safe Operating Temperature: 32 to 104 degrees F
      • Safe Storage Temperature (Power OFF): -40 to 140 degrees F
      • Operating Relative Humidity: 10-90% noncondensing
      • Operating Altitude: <3,000 meters (<10,000 feet)
       
     
     

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